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Interview with a Koala.
(This interview originally appeared in Duck Fat #1, 1997)
I have a great fondness for the Wilderness Society koalas. The
baggy grey suits. The crappy little aprons strapped to their chests.
The bright yellow buckets. The droopy hoods with their permanently-sad
faces. There's something about grown people in fuzzy costumes that
has always fascinated me. Maybe it's because there's something
in me that wants to try on the suit and I know that I'm honestly
too chicken to give it a go. Maybe it's just another manifestation
of my love for dorky things. I don't know what it is that appeals
to me so, but here are a few of my favourite koala-related memories.
KOALA MEMORY #1:
I hand over two dollars to a koala on Brunswick Street.
"Here you go koala!"
"Thankyou, human!"
KOALA MEMORY #2:
A girl at a party tells me about her friend
who is a koala in Sydney. Her friend had recently had an accident
while on the job. She had been doing the "dead koala" routine
- lying in a foetal position on a street corner - when a bunch
of skinheads had turned up, put the boot in, and stolen her bucket.
I try to stifle a laugh. I am both fascinated and horrified by
her story.
KOALA MEMORY #3:
I'm in the cinema, watching David Ceasar's patchy-but-enjoyable
Idiot Box with my brother. On the screen, Ben Mendelsson and Jeremy
Sims nick the bucket from a koala soliciting donations for the
Olympics. My brother and I cheer the koala on as it determinedly
chases them, eventually catching up with them in a cemetery and
punching Sims in the guts. Koala one, Humans nil.
KOALA MEMORY #4:
I'm standing at the tram stop, watching this thin, blond girl
in baggy grey pants and a rainbow bikini top walk up the street.
She approaches nearly everyone she passes, saying something to
them before moving on. Some people chat to her amiably, others
just ignore her. The tram arrives. Later that day, on the way back
home, I see her again, still on the street, still walking up to
people. I figure her for some kind of trendoid tripper, smacked
off her gob on ecstasy, but as the tram passes her, I see that
her grey pants are furry and there's the top half of a koala suit
tied around her waist...
I wanted to know more about the world of the koala. I wanted to
know what kind of person would wear the suit. I called the Wilderness
Society and asked if I could interview one of their koalas. When
they were sure I wasn't just joking, they sent Steven Luntz around.
WHAT INSPIRED YOU TO BECOME A KOALA?
I guess it was a couple of things, actually.
One was that I'd been a member of The Wilderness Society for
ages, and there was a cartoon about a World Wildlife Fund Panda
who'd started collecting on Wilderness Society turf, and these
three koalas hustled him into a coffee-shop and sorted out 'bear
to bear' which animals had which territory. The moral of the
story was: "Consensus
works, even in the world of synthetic fur animals." That was
the initial thing that sort of made me consider it. And then one
day I came across this koala who was doing training - on the first
couple of missions you get sent out with a more experienced koala.
So I came across this koala who was on its first shift, with the
other one, and I was taking out some money to give to the more
experienced koala, and the new koala came rushing up and body-slammed
the other one out of the way, and then they started wrestling over
their buckets, and I thought, "I've got to give this a try!"
BASED ON THAT OBSERVATION, HOW CLOSELY ALIGNED DO YOU THINK KOALAS
AND STREET THEATRE ARE?
Quite a lot. I think that there are a lot of different koala styles.
Some of them are very straight, and others are very street theatre-ish.
It depends on the individual, and how you are feeling that day.
There have been days when I haven't been feeling very street-theatre,
because I've just been so de-energised.
WHAT'S YOUR PERSONAL KOALA STYLE?
I'm more of a performer. As I've done it longer, I've moved my
shifts so that I pretty much do Brunswick Street these days, it's
easier to do the street theatre-ish stuff on Brunswick street than
it is at Museum Station. I get a bit bouncy, and so on. I've stage
dived at gigs dressed in the suit...
WHO WAS PLAYING?
I did it at a Caligula gig and that went really well, and the
other one was a benefit for the Wilderness Society. I was exhausted,
really tired, and only just managed to get up on stage and flop
back, make the rounds, collect some money, then go home and sleep.
A CALIGULA GIG? HOW LONG HAVE YOU BEEN KOALAING?
I koalaed for two years, fairly solidly, and then I moved interstate,
and since I've been back I do it occasionally.
ARE YOU A SENIOR KOALA NOW? TRAINING PROSPECTIVE KOALAS?
At the time I moved interstate, I was the most senior koala there.
It's rare for people to stick it out for two years.
WHAT'S INVOLVED IN TRAINING?
Basically, you take people out, keep an eye on them to see that
they don't do anything stupid, and give them advice. Given that
every koala's style is different, not all of it will be relevant,
but you outline what works for you, and go from there. If you do
a particular beat, there are things that you can pass on. Like
for example, there are parts of Brunswick Street that are not worth
doing. There aren't enough people around, that sort of thing. So
you tell them that, and what pubs they can go into, and so on.

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