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Exit the Raven (excerpt)
I guess I thought it would be romantic - staring
deep into the fog from the balcony of my secret mansion headquarters
deep in the heart of the moors, contemplating how to avenge the
wrong that had been done to me. The black outfit fit my mood in
those days, especially the executioner's hood. I was trying to
make a statement: "I am dead to this world, and this world
is dead to me." To be honest I was just lonely and confused,
which was understandable. The few of my friends who were still
talking to me when the trial was over stopped returning my calls
after I broke out of Dartmoor Prison. It might be acceptable to
have a convicted criminal as a friend, but a masked crime-fighter
is another thing entirely.
When you get older you're always inclined to
be dismissive of the ideals you had when you were younger, but
even taking youthful exuberance into account there's a pretty tenuous
connection between superhero antics and clearing your family's
good name. A mugger shoots your parents so you start beating up
every mugger you see. It's not hard to see that that kind of thing
is just a kind of denial. The search for happiness isn't served
by attacking the cause of your unhappiness. I claimed that I wasn't
doing it for myself, that I was doing it so that my family's legacy
of benevolent lordship and community support wouldn't be poisoned
by accusations of murder and theft, but that was obviously just
a rationalisation.
It was fun all the same, playing hero. Not that
I think I was particularly good at it. I had the hideout and the
costume, I knew how to duck a punch and how to shoot straight,
but actual fights hardly ever go the way they do in the movies.
Bullets are painful and fractures take a long time to heal. What
kept me from hurting myself too badly was the bird.
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